An antique medical book lies open on a black marble table. Its pages feature meticulous copperplate engravings of human anatomy, with muscular and skeletal structures depicted in fine lines. Old Latin annotations are printed in the margins of the plates, and handwritten notes are also visible. The book is thick and heavy, with its gold leaf binding peeling away from age. The pages are of high quality, discolored to an ivory color, and feel so hard they almost crackle to the touch. Next to the book is a replica of a human skull; the bone's surface is smooth and cream-colored, with clearly visible sutures. Small brass medical instruments, tweezers and scalpels, are neatly arranged on a cloth made of deep green velvet, lightly dusted. The background is a dark gray wall, almost black. A single candle casts light from behind at an angle, casting a dramatic shadow on the skull. The marble table is streaked with white, giving it a cold, hard texture. The overall color palette is black, ivory, deep green, gold, and gray. The skulls and books are arranged majestically in a low-angle, upward-looking composition. It's a meditation on Victorian medicine and views on life and death, scientific inquiry, and the beauty of death, creating a solemn, slightly eerie, yet intellectual atmosphere.